Tag Archives: Linsley

Formal Principle

I’ve been trying to work out exactly what kind of order Stella is aiming for, looking at the prints and late paintings. I think that to avoid an ordering principle is probably, for Stella, a kind of abstraction. The topic … Continue reading

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Time and Change

Many of the things I say on this blog are widely recognized. They are not always expressed the same way. Actually, I don’t know if “widely recognized” is the right phrase—it might be more like conventional wisdom of the past. … Continue reading

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Collage #10

This largish (48×48″) collage follows the same pattern as #s 5&8—it has a rectangle within the rectangle, a plane within the plane, a picture within the picture. It’s over an old painting in enamel on wood, and I was afraid … Continue reading

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Decisions, Maybe Bad Ones

This video of Gerhard Richter in his studio shows him painting a couple of largish abstracts, with three big pots of paint—yellow, red and blue—and a wide brush. The sequence in question is from 12-23 minutes. It’s a pleasure to … Continue reading

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A Different Frame

This collage is like #5 in the way that the frame within the frame is handled—it’s less of an image than the others, more abstract in a way. But also, unlike #s 2, 3, 4, 6 and 7, the arrangement … Continue reading

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Arrived

Of course all arrivals are temporary, but this collage looks done. Had a bit of doubt as to how the increase in size (4×3′) would throw off the scale relation between the watercolor patches and the larger flat areas of … Continue reading

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Getting Closer

My new, bigger collage has been through a few changes, and it’s getting better (compare with first state). Funny how until that happens it always seems like it never will. Anyway, tried painting on the grey frame but that threw … Continue reading

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Next Collage

Here is a new work underway. In a couple of weeks I hope to show how much these things change for the better as they go on. This one is a step up in size—48×36 inches, instead of 22×28, and … Continue reading

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Collage

I was posting images of my new collages about once a week or so, but recently been spending too many hours at the day job. This one went along pretty slowly, but it did move in the right direction: toward … Continue reading

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Loss

What one strong man could once do, now is done by two or three weaker men or one weaker man and a machine. More generally, what could once be accomplished by one individual with energy and some executive skills now … Continue reading

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Black Rain

Thinking about Kandinsky’s disregard for any tight or comprehensive order, I realize that I don’t quite agree. I want an organic kind of closure, if you could call it that. Poussin after nature, as Cézanne described it. Geometry loose, but … Continue reading

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Work

Lately I’ve been making a series of collages, all roughly the same size—22×28″, sometimes a bit smaller or larger—and find it tough going. In abstract art the temptation is always to accept early results, and that question gets more complicated … Continue reading

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So Goes the Battle

Life is all conflict, like it or not. Gone are the days when we had to face the world, now it’s always other people who give trouble. With the previous sentence readers may notice how my own need for sovereignty, … Continue reading

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Torn Paper and Paint

Lately have no money to buy watercolour paper, so have been tearing up some problematic pictures for collages. The process is a compromise between my natural simplicity and the pleasures of more. I think the balance is struck, in this … Continue reading

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New Beginning

The blog is starting up again, and it’s gratifying to know that readers I had before are happy to see it come back. The occasion is the imminent publication of my book, my first book. Artists don’t have to write … Continue reading

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Last Post, For Now

With three and a half years of this blog, I thought the new year might be a good time to take a rest. After hitting a high of 9500 unique visitors in one month, the readership has wobbled up and … Continue reading

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Authority Again

Thinking more about authority—I’ll bet that many, including artists, maybe especially artists, think it means ordering people about. It may well be that in daily life, but in art it’s more to do with a kind of truth, a truth … Continue reading

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Feelings for and of the World

Following from the previous post, landscapes are beautiful to the extent that our feelings live there, and I love landscape and landscape art. But the art that is willing to die is closer to the body—not just content to look … Continue reading

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The Invisible Greater Part

In ordinary life one doesn’t have to see or know exactly how things relate in order to do something useful with them. For one obvious example, a cook doesn’t have to understand what is going on chemically in the oven … Continue reading

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New Show

Here’s a couple of images of my just opened show at CSA Space in Vancouver.

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The Sameness of Abstraction

Recently I came across a review of the Nada art fair in The Art Newspaper, which amounted to the observation that abstract painting was everywhere and that it all looked the same. Actually the reviewer was warning that it will … Continue reading

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A Book

Long before my recent enthusiasm for the work of Frank Stella, I made a number of small books which are pretty busy and figurative. I’ve had them stuck away for a while because they have a small binding problem not … Continue reading

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The Space of an Artist

Blog reader Naomi Schlinke has posted a comment that she has a less than positive experience with Stella’s work, particularly its space. That’s a good thing for me, a Stella fan, because it forces me to clarify what I feel … Continue reading

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Island Thought

The pieces discussed in an earlier post are part of an effort going on since I started the Island pictures – to have more than one level, as in Arp’s reliefs, but not as sculpture. This piece was very early, and I loved … Continue reading

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Correspondences

In a great Bridget Riley catalog, I find the following quote from Roger Fry: “The mind of the spectator is held in a kind of thrilled suspense by the unsuspected correspondence of all these related elements. One is filled with … Continue reading

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Binocular Vision

About a year ago I was working on two shaped canvases – actually PVC panels – and this is how they turned out: I got very impatient with what felt like just the same old Robert Linsley thing; pretty but lifeless. So … Continue reading

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Again

The three abstract watercolors with erotic associations didn’t sell on eBay, so I’m trying three more, this time a bit more formalist. The results are disappointing, but not necessarily final. I just sold five watercolors in Toronto, so have every … Continue reading

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Learning

My ebay offerings are about learning how to sell art in this new context. It occurs to me that close up views might help, so I’m belatedly adding these to the listings, but it’s also enjoyable just to look at … Continue reading

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A Gesture

As part of an ongoing experiment to try for more control over my own market, I’ve put three watercolors on ebay. This first one is here. Another very comical one is here. Anecdotal evidence suggests this second one is quite … Continue reading

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Clownish

This piece was my second Island painting. At the time I thought of it as my clown painting, and clowns – from Bruce Nauman to Paul McCarthy – were very present in art at that time. In painting, Gary Hume’s … Continue reading

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