Tag Archives: knowledge

Outside the Border Fence

Following from the previous post, I think it helps a lot to travel, and not just to Miami or Basel. I talk about this in my book. But though you can take your body to different places, it’s hard to … Continue reading

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Berger’s Choices

A recent article by Ben Davis about the death of John Berger demanded a reply—sadly comments were not possible. Davis made the point that some of the artists Berger admired were obscure, non-canonical. My answer would be why does Ben … Continue reading

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Time and Change

Many of the things I say on this blog are widely recognized. They are not always expressed the same way. Actually, I don’t know if “widely recognized” is the right phrase—it might be more like conventional wisdom of the past. … Continue reading

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Art for the Age of Trump

Thinking about constructivist collage—in other words, art of a revolutionary period—makes one wonder what kind of art is right for today. Does my Collage #10 really measure up, or is to too much Kutesy-Klee and Kandinsky-Kute? Are the animal/organic and … Continue reading

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Decisions, Maybe Bad Ones

This video of Gerhard Richter in his studio shows him painting a couple of largish abstracts, with three big pots of paint—yellow, red and blue—and a wide brush. The sequence in question is from 12-23 minutes. It’s a pleasure to … Continue reading

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The Fog of Art

I like a recent article by Hito Steyerl, especially this line: “Art is encryption as such, regardless of the existence of a message with a multitude of conflicting and often useless keys.” This is a little dose of aesthetics; abstraction … Continue reading

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Art and Nature Today

The trouble with ideas is that everyone has them at the same time. That’s why art is better—the concrete particular is one thing, in one place at one time. One of my favorite chapters in the book is on art … Continue reading

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Criticism versus Publicity

Alfredo Triff is an interesting guy who lives in Miami, teaches at a local college and writes about art on his blog miami bourbaki. I don’t know exactly what he teaches—somewhere in the realm of philosophy/history/political economy—but I like his … Continue reading

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Still in the Hold

I’d like to thank Lutz Eitel, who forwarded a sketch for David Bomberg’s In the Hold. It clarifies a lot about the figures and their actions. The open-armed gesture, stretching across the middle of the image in a kind of … Continue reading

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Last Post, For Now

With three and a half years of this blog, I thought the new year might be a good time to take a rest. After hitting a high of 9500 unique visitors in one month, the readership has wobbled up and … Continue reading

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Conventional Discourse

I was probably inspired to start talking about authority as a principle active in art by Harold Bloom, who has a lot to say on the topic, usually with reference to the Freudian transference. It just occurred to me that … Continue reading

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Return

The world it turns, and will continue to do so.

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Authority Again

Thinking more about authority—I’ll bet that many, including artists, maybe especially artists, think it means ordering people about. It may well be that in daily life, but in art it’s more to do with a kind of truth, a truth … Continue reading

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No Creativity

Just been reading an interesting article in The Slate. It just says in very plain language what I’ve felt for a long time, namely that the rhetoric of creativity in business is merely rhetoric. Here’s one quote: “This is the … Continue reading

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Novelty at a Pace

To go back to the thought experiment I presented in an earlier post; when stone age man (or woman) had fire and a wheel, in principle they had the automobile, although they couldn’t make one. To get the automobile was … Continue reading

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So Much

So many blades of grass, so many twigs or branches on so many trees, so many insects, and above all, so many bacteria. As I don’t cease to mention on this blog, the number of details in the world is … Continue reading

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The Basics

John Berger could be a stupidly moralistic critic, but he was perceptive. He notoriously rejected Pollock as a decadent of the age of individualism, meaning he didn’t really understand Pollock at all, but then listen to this: “Imagine a man … Continue reading

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The View from Inside

In an old issue of the NYRB I find the following from Vladimir Ashkenazy, on his fellow pianist Sviatoslav Richter: “The strongest element in his magnetic appeal to audiences is his conviction that what he does is absolutely right at … Continue reading

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Thomas Ruff

I saw the recent photograms of Thomas Ruff in Düsseldorf, but since they are entirely digital you could call them imitation photograms. But that would only apply to the ones that have the typical photogram look, with some straight lines … Continue reading

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Marlene Dumas

At the Stedelijk, I had a brief chance to see a Marlene Dumas retrospective. Since she lives in Amsterdam it must have been a satisfying show for her. I was expecting to admire her faces, and a wall of ink … Continue reading

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Sculpture Figurative and Abstract

Lane Relyea has an original perspective on the work of sculptors such as Rachel Harrison and Isa Genzken: “What we are looking at here, after all, is figurative sculpture…who or what exactly is it representing?” He answers: “…in the new … Continue reading

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Lost Boundaries

One moment in Lane Relyea’s book that caught my attention was this: “The rise of networks might not mean the end of of all insides and outsides, but it does mean that, with boundaries and the exclusions they effect being … Continue reading

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Anxiety

A couple of months ago I visited a well known Toronto gallery (well known in Toronto), which had just moved to a new space. As it happened, the gallerist was alone when I arrived, and the whole encounter gave me … Continue reading

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Abstract East and West

My blog readers wouldn’t necessarily know it, but I have made a pretty close study of Chinese art, historical and modern, and even written about it. There is a chapter in my book on that topic in fact. My question … Continue reading

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Too Many Mediations

It’s very important to remember—as often as possible—that the current highly mediated context, in which artists learn their business and craft from books, schools, the internet, art magazines and any number of other mass outlets, is very new and very … Continue reading

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Enlightenment

Lately I’ve been enjoying Andrea Fraser’s writings, and I’m not sure that blog readers who follow me to Stella, Barré, Motherwell or Riley will also come along that way. The fact is that I am a believer in modern art … Continue reading

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Andrea Fraser

I remember in Artforum a few years ago a piece on institutional critique by Andrea Fraser, and also remember being underwhelmed. To me it seemed conventional, a reiteration of familiar insights, without the enlightening shock of work by Buren, Asher … Continue reading

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Networks

Lane Relyea describes the reconstitution of the art world around systems of communication, around networks, and he makes a strong case that the ruling paradigm today is information. The database and the project are the fundamental forms, and the idea … Continue reading

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A New Artworld

On holiday I brought two books, precisely because of the excruciating contrast between them. The criticism of Patrick Heron is on a very high level, of both insight and rhetorical skill. It’s inspiring, and what more could you ask? It … Continue reading

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A Real Change

Recently I’m rediscovering the absolute genius of Walter Benjamin, including reading some texts I had a hard time with years ago. In “The Task of the Translator” he confirms remarks made in an earlier post about how artworks change over … Continue reading

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