Tag Archives: Fernand Leger

Light and Abstract Form

My normal and somewhat unreflective view of this early Leger has always been that there is an unresolved conflict between the imagery – the obvious chair, side table, cup, folded   fingers – and the large abstract white and black … Continue reading

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Wood Nymphs

Leger’s work is very odd. This piece, a kind of a breakthrough for him, is really bizarre. While contemplating the craziness of this work, I find in the MOMA Invention of Abstraction catalog two large cubist Picabias I had never heard … Continue reading

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Leger and Stella

The resemblance of Stella’s Cones and Pillars series and the work of Leger  is pretty clear, although to contemplate it is still interesting. Stella has a true modernist genius for picking up on the least promising sources. This Leger could … Continue reading

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