Tag Archives: abstract art

Simon Hantaï

Hantaï‘s works have an evident beauty, but I never found them interesting enough to really study because they rely too much on the process. Too hands off, not enough intervention by the artist. The right balance of those two things … Continue reading

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Early Gaitonde

For those interested in Gaitonde, here are works from the fifties and early sixties that show the influence of Klee and de Staël. As mentioned earlier on this blog, these two artists were important for any cosmopolitan modernist at that … Continue reading

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A Polemic

Another chapter of my book looks at that universal favorite, Gerhard Richter. It may be the first genuine critique of an overrated artist, and the book is probably worth the price for that alone. It’s not original though; I take … Continue reading

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No Inconsistencies

The previous post on one of Stella’s Polish Villages may give the impression that all works in the series are as carefully irregular. Actually, most of them seem to be perfectly reasonable. I’m not aware of how Stella sees the … Continue reading

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Possibly Annoying Details

Straight lines that form geometric shapes always imply some kind of consistent order. It might have something to do with buildings, because walls that don’t meet at ninety degrees, or don’t quite meet at all, seem awkward, even though there … Continue reading

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Late Discoveries

Barry Schwabsky has written an insightful review of two current museum shows, Agnes Martin and Carmen Herrera. Herrera is a fascinating figure for everyone, because she holds the record for late discovery of a living artist—after sixty years of obscurity … Continue reading

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While Waiting

The topic of waiting is not to be confused with procrastination. From an art point of view the biggest problem is the need to be busy, because the true religion of the modern world, in every culture, is work. The … Continue reading

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Those Who Wait

The theme of waiting deserves a few posts. I originally thought I could make one, or even two, but it’s too rich of a topic. What is Fontana waiting for? His slashes are titled “Attesa,” which I would translate as … Continue reading

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The Wait

Waiting. Waiting for a pot to boil, for the daylight to change, for the rain to fall, for a flower to bloom—some processes take time, and so waiting is a natural and unavoidable state. For an art that aims to … Continue reading

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Carla Accardi

Carla Accardi was another artist I discussed on the blog several years ago, along with fellow Italians Marisa Merz and Giulio Paolini. In the book she inaugurates the formalist, or “formalist,” chapters. She should be better known on this side … Continue reading

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A Different Frame

This collage is like #5 in the way that the frame within the frame is handled—it’s less of an image than the others, more abstract in a way. But also, unlike #s 2, 3, 4, 6 and 7, the arrangement … Continue reading

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Literary Modernism

I’ve always been drawn to artists who write their own books and illustrate them—or maybe they are actually writers who also draw. Two obvious ones who come to mind are Mervyn Peake and Bruno Schulz, and I like them both. … Continue reading

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A Literary Art

Back at the start of this blog, in 2011 I think it was, I wrote several posts on R.H.Quaytman. She’s still one of my favourite artists, and features prominently in my book. Another artist with a very creative relationship to … Continue reading

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Interpretation in Time

My post on destruction got an interesting response on Facebook from reader Nicole Rigets. She says: “Old books contain new ways of seeing and thinking. In my opinion all books contain secret knowledge (even novels).” This is really fascinating. Of … Continue reading

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Normalized

I’m aware of how hokey the previous post became toward the end—the list of artist destroyers is pop art history, and not very good pop art history at that. However, those pairs—Malevich/Mondrian, Pollock/Rothko and Stella/Richter—are in an important sense my … Continue reading

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Destruction

Further to the phenomenon of iconoclasm or demolition of cultural monuments—the first thing that comes to mind is that modern art has always been iconoclastic and in fact very destructive. I’m enraged to read about the burning of old Korans … Continue reading

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People or Things

I get very caught up in the news about iconoclasm and the destruction of culture. In one article, by the art critic of the Guardian, the stale claim that human life is worth more than culture is emphatically made. He … Continue reading

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Arrived

Of course all arrivals are temporary, but this collage looks done. Had a bit of doubt as to how the increase in size (4×3′) would throw off the scale relation between the watercolor patches and the larger flat areas of … Continue reading

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The Fog of Art

I like a recent article by Hito Steyerl, especially this line: “Art is encryption as such, regardless of the existence of a message with a multitude of conflicting and often useless keys.” This is a little dose of aesthetics; abstraction … Continue reading

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Objectivity of Art

Recently a journalist has outed the legal identity of Italian author Elena Ferrante. There have been many critical responses to this piece of detective work. People are not happy. This is what Ferrante has to say about why she doesn’t … Continue reading

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Getting Closer

My new, bigger collage has been through a few changes, and it’s getting better (compare with first state). Funny how until that happens it always seems like it never will. Anyway, tried painting on the grey frame but that threw … Continue reading

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Once upon the Cephalopodocene

Just to go back to the article by Donna Haraway mentioned in the previous post—it’s pretty good in the way she describes the incredible complexity of the biosphere as a whole, single system. When we look at it like that … Continue reading

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Art and Nature Today

The trouble with ideas is that everyone has them at the same time. That’s why art is better—the concrete particular is one thing, in one place at one time. One of my favorite chapters in the book is on art … Continue reading

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Criticism versus Publicity

Alfredo Triff is an interesting guy who lives in Miami, teaches at a local college and writes about art on his blog miami bourbaki. I don’t know exactly what he teaches—somewhere in the realm of philosophy/history/political economy—but I like his … Continue reading

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Next Collage

Here is a new work underway. In a couple of weeks I hope to show how much these things change for the better as they go on. This one is a step up in size—48×36 inches, instead of 22×28, and … Continue reading

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The Death of Abstraction

Everyone has heard the claim that painting is dead. That’s one idea that deserves to be looked at more closely, and I will do that. Without giving too much of the book away I’ll just say that abstraction has also … Continue reading

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A Critique

Recently an article by Laurie Fendrich was circulating on Facebook. It’s worth reading, but this is what I said about it: I like most of what she says, but object to this: “Painting contains its own roughly defined rules. The … Continue reading

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Globalism and Provinciality

Over the next few weeks I’m going to post images from my book. Here’s one of my favourite comparisons, aboriginal artist Doug Cranmer and the well known Parisian modernist Bram van Velde. Though van Velde had a great interest in … Continue reading

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Collage

I was posting images of my new collages about once a week or so, but recently been spending too many hours at the day job. This one went along pretty slowly, but it did move in the right direction: toward … Continue reading

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The Other Frank

We’re all familiar with the celebrity artist, and lately they are even cropping up in art fairs—it’s a contentious topic in the age of the 1%. Some musicians and actors are actually pretty serious about their painting, and some of … Continue reading

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