Eli Bornowsky sent me a small book of drawings, and I find them very interesting and even inspiring. When some lines cross others with apparently no regard for the
configurations already in place, then we have the impression of simultaneous independent levels. I think this is really a good departure. Abstract drawings can be both too easy to do and too difficult to get a result worth long contemplation. I think of a set of Cold Mountain ink drawings by Brice Marden I once saw at the Whitney, maybe drawn with a stick. Bornowsky’s look like marker drawings, but they have possibilities to work with – a new formal invention. It takes a bit of effort to keep the different levels in view.